Showing posts with label Kane Gilmour. Show all posts
Showing posts with label Kane Gilmour. Show all posts

Sunday, January 5, 2014

Derrick Ferguson Enters THE CRYPT OF DRACULA



Paperback: 230 pages
Publisher: Quickdraw Books (May 27, 2013)
Language: English
ISBN-10: 0984954821
ISBN-13: 978-0984954827
Product Dimensions: 0.5 x 4.9 x 7.9 inches

In the forward to his homage to those classic Hammer Dracula movies THE CRYPT OF DRACULA, Kane Gilmour relates his glee at watching Universal and Hammer horror movies on late night TV during the 1970’s. While reading this I nodded my head in agreement because like him, I also grooved on those self-same movies back in the day. I lived for Saturday afternoons and nights when those movies were usually aired. He clearly sets for forth his mandate in his forward: he’s not out to re-invent the vampire novel or Dracula as a character. He just wants to present a simple, familiar Dracula yarn that hopefully will invoke the spirit of classic Hammer horror. Well, that he does. Maybe a little too well, for my taste. But we’ll get to that after the obligatory plot summary;

Master stonemason Andreas Wagner accepts a commission to work on restoring an old castle high up in the Carpathian Mountains. Wagner eagerly accepts the commission as he sees it as a way for him and his beautiful wife, Anneli to start life over. Their young daughter has died from a strange malady and since then, Anneli hasn’t uttered a word.

Upon arriving at the castle, Wagner finds things are a little odd, to say the least and the eccentric Count Dracula who owns the castle has a strange set of instructions for the way he wants the work to be carried out. Wagner also notes that the man keeps some really weird hours and has a servant who is never around but must be watching Wagner constantly as he appears to be able to anticipate Wagner’s every need.

You know how this goes…at first everything is sweet potato pie. But then the weirdness starts. Wagner is almost killed by falling masonry. Strange, gorgeous looking women in smoky flowing nightgowns roam the halls of the castle at night. The villagers seem to know something but they ain’t saying what. There’s a mysterious old man who sits in the corner of the tavern drinking, watching everything and biding his time. Despite his growing misgivings, Wagner stays on the job as he’s arraigned for his wife to join him, along with his best friend/assistant Fritz and Fritz’s lusty, busty girlfriend Gretchen. And once they arrive at the castle, that’s when the crazy really gets cranked up.

While reading THE CRYPT OF DRACULA I couldn’t help but feel that next to his keyboard Mr. Gilmour had a checklist of elements that had to go into a Dracula story: Crumbling Old Castle? Check. Vampire Brides of Dracula? Check. Half-Mad Faithful Servant Totally Dedicated To Dracula? Check. Cowering, Fearful Villagers? Double Check. Aged Fearless Vampire Killer? Triple Check. If you have even a passing familiarity with Hammer’s Dracula movies then there’s nothing here that’s much going to surprise you. Which is what Mr. Gilmour tells you right upfront. He’s not trying to startle his readers with innovation or re-invention. His purpose is to tell as simple and straightforward a Hammer inspired Dracula story as possible.

And in doing so, It's my thinking that maybe he bent over a little too backwards to color inside the lines. There’s plenty of wiggle room he has in this story to really bust loose and indeed, there were several spots in the story where I wondered if he reined himself in, dedicated to his self-imposed mandate to present the familiar.

As a result there isn’t anything in this story that’s going to take you by surprise if you decide to read it. The characterization is just enough so that we recognize the roles these characters are going to play in the story. Dracula himself is off screen for much of the story and he’s very much in the style of Christopher Lee’s Dracula, who spoke very little and in a couple of them didn’t speak at all. But when he shows up, believe me, he makes his presence felt.

So should you read THE CRYPT OF DRACULA? If you’re looking for a prose version of a Hammer horror movie then you’ve come to the right place. Mr. Gilmour’s prose is lush and lavish and he works damn hard at evoking the right atmosphere and mood for this type of story. The language, violence and sex is PG-13 level so you don’t have to worry about being offended or shocked. It’s an undemanding, casual read and should be approached in that spirit. I’d like to see Mr. Gilmour write another Dracula novel but this time allow himself the room just amp up the crazy, splurge with the sex and gore and really go nuts. 

Monday, May 20, 2013

Derrick Ferguson Flies With THE WARBIRDS OF MARS!





WARBIRDS OF MARS: STORIES OF THE FIGHT!
Edited by Scott P. Vaughn and Kane Gilmour
Paperback: 476 pages
Publisher: Quickdraw Books (April 25, 2013)
Language: English
ISBN-10: 0984954813
ISBN-13: 978-0984954810
Product Dimensions: 9 x 6 x 1.1 inches

Here’s the thing; I love The Internet. I truly do. Yes, there’s a lot crap out there that gets in the way of the good stuff but the good stuff is there. It just sometimes takes me a while to get around it. Take for instance the webcomic WARBIRDS OF MARS that has been around for a goodish amount of time now. I, however have been woefully ignorant of it until I was made aware of the anthology WARBIRDS OF MARS: STORIES OF THE FIGHT and while it’s a hefty introduction to the situation and principal characters at the heart of the series it is one well worth reading due to the interesting mix of talent involved.

The set-up is fairly easy to get hold of: Invaders from outer space attack The Earth while it’s engaged in World War II. The alien invaders actually aren’t Martians but what the hey, WARBIRDS OF MARS is a great title so let’s not spoil it with minor details. The Martians have chosen this time to invade as for years they’ve had agents on Earth, half-alien/half-human fifth columnists that have been working behind the scenes to make the invasion easier. And with the world powers fragmented and not able to work together it’s not long before many major cities and nations are conquered and under control of the invaders. But there’s still hope: human resistance forces are fighting back with every weapon and resource at their command to take back the planet.

The core characters of WARBIRDS OF MARS: STORIES OF THE FIGHT! are an elite cadre of resistance fighters known as The Martian Killers. The leader is Hunter Noir, a fedora wearing, trenchcoated man of mystery who keeps his face bandaged. Jack Paris is your typical wisecracking, two-fisted pilot/adventurer. Josie Taylor is the team’s femme fatale and Mr. Mask is a human/alien hybrid who has joined the resistance, proving to be a valuable asset to the the team due to his having been trained by a samurai master.

These characters all get plenty of time to strut their stuff both in solo stories and in stories where they all work together but WARBIRDS OF MARS: STORIES OF THE FIGHT! also takes the opportunity to show what is going on with other people trying to survive in this hellish brave new world in various locations around the globe and through the eyes of characters both human and alien.

“Hunter Noir” by Scott P. Vaughn leads off the anthology with the origin of the leader of The Martin Killers and how the invasion began. It’s a good origin story with the only bump in it for me is the sudden decision by the protagonist to become a masked man of mystery while being hunted by the enemy and whipping up a costume and new name for himself in no time flat but y’know what? That’s just me. It’s that kind of story and you either go along with it or not. It wasn’t enough to make me stop reading the story and that’s the main thing.

“In The World Today” by Megan E. Vaughn is one of my favorite stories in the anthology as it concerns a small-town movie date and the effects the Martian Invasion has on it. It’s a short slice of small town American life kind of story but it doesn’t skimp on the characterization.

I love the weird western comic book “Desperadoes” written by Jeff Mariotte so it’s no surprise that I loved “Southern Cross” even though it wasn’t set in the Southwestern United States as I might have expected. (Ron Fortier takes care of that part of the country…we’ll get to it soon…be patient) No, Jeff takes us out to the South China Sea for this one as Jack Paris gets involved in Oriental skullduggery.

“The Deadly Triad” by Alex Ness is a nifty little look into what’s going on with the Chinese and Japanese and I greatly appreciated the break from the slam bang adventure of the previous story to take the time out to see what was going on elsewhere in the beleaguered world.

Sean Ellis has long been one of my favorite writers who never fails to disappoint and he doesn’t do so with “The Farmboy’s Adventure” which has an ending that I truly did not see coming and when it did I immediately went back to the beginning of the story to see if there were any clues that I had missed. I’m betting you’ll do the same.

“The Bitter Edge” is by Kane Gilmore and is another origin story. This one concerning Mr. Mask, so called because he wears a German gas mask constantly. He’s a lot of fun to read about as I kinda get the idea that Kane’s inspiration for the character was G.I. Joe’s Snake Eyes. But with Mr. Mask being a Martian/Human hybrid training how to be a samurai warrior brings an added dimension to the character that moves the story into an exploration of identity and self-respect that lifts it a notch above just another action/adventure entry.

As promised, Ron Fortier serves up a wild west romp with “The Monsters of Adobe Wells” which takes The Monster Killers way out west to team up with Sioux warrior Charlie Three-Feathers, a character I wouldn’t mind seeing more of if there are future WARBIRDS OF MARS anthology. And again, the changeup in setting provides readers with another aspect of the war against the invaders. The international aspect of this anthology is one of the best things about it and a western story fits in here just fine.

Megan E. Vaughn returns for “The Skull of Lazarus” which is a story that makes me wonder if Megan is a “Thunderbirds” fan as her Lady Doyle and Jerry reminded me strongly of Lady Penelope Creighton and her bodyguard/chauffeur Parker. This is an adventure built for nothing but sheer thrills and like Ron’s Charlie Three-Feathers, I hope to see more of Lady Doyle.

“Red Sky Phoenix: The Rise of Free Russia” is another snapshot from Alex Ness as to what’s going on in yet another part of the world. It wouldn’t be a bad idea to have even more of these prose postcards in future anthologies (you think they’ve gotten the hint yet?)

“Human Guile” by Chris Samson is where I finally hit a major bump. I’ve read this story twice and still can’t quite wrap my head around what the story is about. It just seemed to me like there was way too much plot and way too many characters doing things I just didn’t understand why they were doing them. For me, motivation is a Big Deal in my fiction. It’s not necessary for me to like or dislike the characters but I do demand that the writer establish why they’re doing what they’re doing and I simply didn’t get that here.

“Surprise” by Stephen M. Irvin is indeed that as I didn’t expect to find a hard-boiled noir story in here but I as I continued reading more and more into this anthology it soon became apparent to me that this concept could and did support a variety of genre stories very well indeed such as J.H. Ivanov’s “The Road Out of Antioch” and “Shipwrecked” by David Lindblad, both of which are out-and-out horror stories with “The Road Out of Antioch” approaching Lovecraftian proportions of cosmic dread. It’s that good, trust me.

“Refined Elegance” by Scott P. Vaughn takes us home and if I had to make a choice between this one and “Hunter Noir” I’d have to go with this one, much as I liked “Hunter Noir.” It’s told from the point of view of Josie Taylor. The Martian Killers have been doing that for quite a while now, the war appears to have no end in sight and Josie is starting to ask herself and her teammates some hard questions the dangerous missions they routinely go on.

The stories are complimented by strong, solid artwork from Jean Arrow, Adriano Carreon, Mike DeBalfo, Bill Farmer, Matt Goodall, Christian Guldager, Robert Hack, Rob Hicks, John Lucas, Paul Roman Martinez, Nathan Morris, Dan Parsons, Nik Poliwko, Richard Serrao and Jason Worthington that serve the needs of the stories they were drawn for, successfully evoking the mood and tone of the prose.

So should you read WARBIRDS OF MARS: STORIES OF THE FIGHT? I certainly think so. One of my concerns about New Pulp is that it not fall into a rut. Masked avengers of the night and scientific adventurers are cool as hell, no doubt about it. But New Pulp can’t survive on a steady diet of those. Stories such as the ones in WARBIRDS OF MARS: STORIES OF THE FIGHT! that gives us mashups of war stories mixed with science fiction, horror, day in the life, hard-boiled noir and other genres provide a refreshing new dish for the palate of our imagination to taste and savor. It’s a solid package as you get a lot of story and art for your money and time. Enjoy.

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