DERRICK
FERGUSON: Who is Joe Bonadonna?
JOE BONADONNA: Well, I'm a single
guy pushing 61. I'm of Sicilian-Irish blood, with some Spanish (my paternal
great grandmother was born in Spain), German, Scottish, Greek and, so I'm told
by older relatives, Ethiopian blood going back hundreds of years when the Moors
and Ethiopians were in Spain. Both sides of my family are doing the Ancestry.
com thing, and we even have a private Facebook page. I live alone; my
relationship with a woman I've known as a friend since 1976 came to an end in
November, though we remain friends. Never been married, have no kids, no
brothers, no sisters. I do have a rather large family of cousins, and a few
aunts and uncles who are still living. I'm quite a chatterbox and a sense of
humor helps me survive.
DF:
Where do you live and what do you tell the government you do for a living?
JB: I was born, bred and still live
in Chicago. The IRS knows that in 2010 I was "forced" into early
retirement when the pharmaceutical chain I worked for since 1978 closed their
three main warehouses in my area. I've pretty much been writing articles for
Black Gate magazine's website, blogging a little, writing my stories and
networking ever since. I'm looking for part-time work, but have resigned myself
to the fact that I may not find a job. So I'm riding it out best I can until
January 2014, when I turned 62. Hopefully there will be some social security
left. Do you think they'll give me all the money I put into it since 1969 --
right now? No? I didn't think so.
DF:
How long have you been writing?
JB: I've been writing, off and on,
since grade school. I wrote my first "story" in 5th grade, about 1962-63.
It was a sequel to "Nightmare," an episode of the original THE OUTER
LIMITS. I later wrote a play I had hoped to "produce and direct" in
my parents' basement. It was called "The Return of the Greatest Monster
Ever," a sequel to FRANKENSTEIN MEETS THE WOLFMAN. In high school I wrote
a sequel to JASON AND THE ARGONAUTS that I called "The Glass Impala."
After that I wrote poems, songs and song lyrics, dabbled in fiction, etc. In
1983 I wrote a screenplay based on my job, and between 1997 and 2001 I wrote
and co-authored 5 screenplays, none of which sold. I was a board member of the
Chicago Screenwriter's Network, from about 1998 to 2002
DF:
From your blog I gather that you’re a major Sword and Sorcery/Heroic Fantasy
fan. When did you discover the genre?
JB: I discovered sword and sorcery
(and heroic fantasy) in 1970, quite by accident. In 1969 a guy who sat next to
me in high school physics turned me on to The Hobbit and Lord of the Rings. A
year later, while looking for more of the same, I stumbled across copies of
deCamp's THE TRITONIAN RING, and Leiber's THE SWORDS OF LANKHMAR in a used
bookstore. I bought them because they looked interesting. The Ballantine Books
Adult Fantasy Series got me hooked. And then I discovered Robert E. Howard.
DF:
MAD SHADOWS is one of the best reviewed New Pulp books to be published
recently. You describe it as gothic noir. I’ve also heard it called “hard-boiled
fantasy” Tell us about it.
JB: MAD SHADOWS: THE WEIRD TALES OF
DORGO THE DOWSER . . . ah, I do call it "gothic noir." Don't ask why,
lol! I like the sound of it. It's sword and sorcery with a film noir edge.
Adding elements of film noir from the 1940s and 1950s, the old "Black
Mask" type of story, and Warner Brothers gangster flicks of the 1930s were
my inspirations. I wanted to attempt something different with my sword and
sorcery.
DF:
How did the character of Dorgo The Dowser develop?
JB: Dorgo the Dowser came about
after watching THE MALTESE FALCON on television back in 1978. He just popped
into my head, as Robert E. Howard said of Conan. Then I saw a TV Guide listing
for the old GORGO monster film of the 1960s, and I just changed the
"G" to a "D" and there you go! At that time all I knew about
"dowsing" was that it was about searching for water --
"digging" for it, so to speak, as Sam Spade dug for clues. A rerun of
the old THE RIFLEMAN television show, wherein an old dowser was trying to find
water, gave me the idea to add a nickname to Dorgo. Hence, Dowser. It was a
last-minute bit of inspiration in 2008 that gave me the idea of having Dorgo
use a dowsing rod as a "magical, investigative tool." I had NO idea
until shortly before MAD SHADOWS was published that dowsing rods are also
metaphysical tools: there are many types of dowsing rods, and each has its own
use.
DF:
Tell us about your future plans for the character.
JB: Ah, Dorgo's future. Let's see. .
. . I have written 3 new tales of Dorgo the Dowser. I hope to keep writing his
tales until I feel his time has passed, until I feel that his stories do not
live up to what I accomplished in MAD SHADOWS. Haven't thought much about his
"arc," but I have made him a bit tougher, a little more
"hard-boiled." Because the stories (except for one thus far) are
written in first person, I try to have the tales revolve around a main
character who goes through changes, so to speak, with Dorgo as the narrator.
These are his adventures, but since I don't really write the lone wolf or
"barbarian solo" type of thing, I like to feature other characters: I
like dialog with my action, human drama and interaction. I also like working in
the 15-K to 25-K novella arena, and I may or may not write a full novel about
him. I do, however, have one idea in mind starring Dorgo and some of his
recurring cast of characters. This would be a sort of SEVEN SAMURAI and THE
WILD BUNCH sort of tale. Dorgo's swan song? Who knows. I don't.
DF:
Anything else in the works that we should know about and be on the lookout for?
JB: As far as my upcoming projects
are concerned: I have a space opera, THREE AGAINST THE STARS, coming out later
this year or early next year from Airship27 Productions. A new tale of Dorgo
the Dowser, a novella titled "The Order of the Serpent," will be
published by Weird Tales, on the PDF version of their magazine, sometime in
2013, I believe. Another Dorgo tale, "The Book of Echoes," will be
published next year in Heathen Oracle's eBook anthology, ARTIFACTS AND RELICS.
A third tale of Dorgo, "The Girl Who Loved Ghouls," has yet to find a
home; I tend to write "long," in the novella format, and this often
works against me, lol! My first sword and soul story, "The Blood of the
Lion," will be appear in 2013, I believe, in the second GRIOTS anthology,
GRIOTS 2: SISTERS OF THE SPEAR.
I'm just finishing up a sword and
sorcery pirate novel, WATERS OF DARKNESS, that I'm writing with David C. Smith,
based on an idea of his. Dave has been writing and publishing since about 1978.
He is the author of ORON, THE FALL OF THE FIRST WORLD TRILOGY, SEASONS OF THE
MOON, CALL OF SHADOWS, and the upcoming DARK MUSE. Our good friend, Charles
Saunders, "introduced" us back in 1977. Dave and I are also working
on a sword and planet story, "To Save Hermesia," for a shared world
anthology. I have at least three more Dorgo stories planned, and hope to write.
Beyond that, the future is wide open.
DF:
You’ve also got a musical background. Tell us about that.
JB: My musical
"career" began when I took my first guitar lesson in October of 1964,
about 8 months after The Beatles first appeared on the Ed Sullivan show. My
folks' basement and garage were the entertainment centers in my old neighborhood.
I played in bands, wrote lyrics and songs for the next 20 years, while writing
fiction on the side. I was a very, very minor barstar on the local music scene
here in Chicago. In 1984 I hung up the guitar and concentrated solely on
writing sword and sorcery, with occasional excursions into whimsical fantasy,
horror, and screenplays. Arthritis in both hands makes it difficult and painful
for me to play guitar nowadays, so I rarely touch my "six-string
razor." While I miss being up on
stage, I don't miss the work involved in rehearsing and traveling. But standing
on stage . . . that's pure fun, pure joy.
DF:
What’s your thoughts on New Pulp?
JB: I've always said of myself:
"I'm a pulp fiction author. I write pulp fiction." There are some
comments about pulp fiction in MAD SHADOWS, and a discussion of my influences
in the Afterword of the book. I've always loved pulp fiction, even before I
knew the term. That's pretty much what I first started reading in the science
fiction, fantasy and horror magazines: Analog, Magazine of Fantasy and Science
Fiction, Astounding, Ellery Queen, etc. I really wasn't aware of New Pulp until
2011, when I went to my first Windy City Pulp and Paperback Book Convention
with Dave Smith. This is where kismet plays into the picture: A friend took me
over to the Airship27 table to show me some books. I got to talking with Ron
Fortier and Rob Davis, and learned we had a mutual friend in Charles Saunders;
he's at the center of everything!!! As it turns out, Ron was a member of the
same writer's group that Charles and I belonged to back in the 1970s, SPWAO,
the Small Press Writers' and Artists' Organization. Well, one thing led to
another . . . Dave Smith published CALL OF SHADOWS thru Airship27, my space
opera THREE AGAINST THE STARS will be published by Airship27, and all sorts of
connections were made.
I embrace New Pulp -- it's a breath
of fresh, and yet familiar air in this heavily-competitive world of writing and
publishing. There are literally scores of excellent writers involved in this,
as well a a large number of great pulp houses. A variety of "genres"
that you won't find in bookstores. Incredible amount of new and old pulp
fiction characters. I've made many new friends through New Pulp, and have
become a part of a number of fun and informative Facebook Groups. I am proud
and happy to be associated with New Pulp and all the writers, artists and
publishers I have met through friends and Facebook. To some it all up: Pulpae
fabula victa!
DF:
What’s a typical Day In The Life of Joe Bonadonna like?
JB: A day in my life is pretty dull
and routine. I wake up, make coffee, check my emails and Facebook pages, write,
read, dinner, television or hanging out with friends. I manage to get a few
hours of sleep, too. That's about it, Oh, there are a few other things, but
they're of no real interest to most people. Writing and networking are very
lonely "professions," especially when you live alone. I should get a
cat.
DERRICK
FERGUSON: Anything else we should know about Joe Bonadonna?
JOE BONADONNA: I'm pretty much a
domestic "housecat." I tend to keep to myself, though I get together
quite a lot with friends. I have been getting back in touch and seeing a lot of
my childhood friends -- many of them I've known since kindergarten 1957/1958.
This Facebook thing is great for things like that, too. I'm really having one
of the best times of my life right now. I'm truly blessed.
Also available
from the Book Depository at:
Visit my Blog at
www.dorgoland.blogspot.com You can find me on Facebook and
Google+, and visit my Google Profile
. I can also be found on YouTube.
Just Google: "Joe Bonadonna sword and sorcery." It's a 6-part talkfest on
fantasy and publishing.
Coming soon, from Airship27 Productions: Three Against The Stars,
my new space opera: old-fashioned adventure in the grand tradition of Henry
Kuttner and Edmond Hamilton.
