Thursday, February 20, 2014

Derrick Ferguson Gets Et By BARRACUDA




Format: Kindle Edition
File Size: 205 KB
Print Length: 101 pages
Simultaneous Device Usage: Unlimited
Sold by: Amazon Media EU S.à r.l.
Language: English
ASIN: B006426U5M

There’s a wonderful story told about the filming of the classic 1946 Humphrey Bogart/Lauren Bacall murder mystery “The Big Sleep.” The plot of the book was so convoluted that in translating it from print to screen, director Howard Hawks and his screenwriters William Faulkner, Leigh Brackett and Jules Furthman discovered that not only weren’t they entirely sure who the killer of Sean Reagan was, they also had a dead chauffeur on their hands and they couldn’t figure out who killed him. In desperation they contacted the writer of the book, Raymond Chandler to ask him who killed Sean Regan and the chauffeur and Chandler had to admit that he himself didn’t know.

Indeed, there’s a wonderful bit right in the middle of “The Big Sleep” where Bogart’s Philip Marlowe is called into the Los Angeles D.A.’s office to explain the case to him and by extension to the us, the audience. Because by the time we’ve reached that point of the movie the filmmakers felt that there needed to be some kind of summary of what happened so that audiences back then could take a breath and feel they were up on what had happened up until then.

I feel kinda the same way about Raymond Embrack’s impressively deranged BARRACUDA: A PETER SURF NOVELLA. Halfway through it needs somebody to hold up both hands, yell “Hold everything, please!” and summarize the plot. And trust me, I mean that in a good way. Because in the same way that “The Big Sleep” is now regarded as a classic of the private eye genre, I think that BARRACUDA in its own way is going to become a classic. And Raymond Embrack is a writer to watch.

Peter Surf is a private eye living and working in Blonde City, a California city that seems to be entirely made up of linked beaches each with their own distinctive personality. Blonde City itself is one of the best characters in the story, inhabited by gangs such as The Schoolgirl Mafia who commit thrill killings while hopped up on Hentai-14 and The Beach Mafia whose members worship The Beach Boys to the extent that all of them have the last name of “Smile” in honor of Brian Wilson’s epic project. It’s a city that seems made up out of equal parts of 1950’s, ‘60’s and ‘70’s pop culture with a healthy heaping dose of whatever the hell Raymond Embrack felt like throwing in and believe me, he makes it works. And for me watching him make it work was one of the fun things about reading this story.

Peter Surf himself is…well, the best way to describe him is if you imagined Mike Hammer created by Quentin Tarantino instead of Mickey Spillane. He lives and works out of a converted, arsenal filled service station and he doesn’t so much as do straight up detective work as wreak havoc among his enemies until somebody yells “uncle” and tells him what he wants to know.  

And the havoc is profane, sexy and violent and I wouldn’t have it any other way. The story begins with Surf investigating a terrorist group called T-Unit. They’re terrorizing the private eyes of Blonde City. They’re running some out of town and outright killing others. They make the mistake of terrorizing Surf instead of killing him. From then on, Peter Surf becomes a one man wrecking crew on the warpath of T-Unit.

How this is all tied with the DEA, a particularly dangerous man named Gronsky and Blue Mermaid, a type of maryjane so mythical it’s supposed to be able to heal people I would not dream of telling you. Just be advised that by the time you reach the halfway point of BARRACUDA you may be tempted to say, “Hold everything, please!” go back to the beginning and start reading all over again just to make sure you know exactly what is going on.

That’s because Mr. Embrack writes like this was the only book he was ever going to write in his life. There’s an astounding amount of vibrantly alive characters, situations and concepts that other writers would have spread out over a trilogy. BARRACUDA is never boring and never lags due to the constant and unending stream of sheer delightfully WTF plot twists Mr. Embrack throws at us with glee.

The dialog is pure classic P.I. genre porn where everybody talks like a dame or a smartass or a tough guy. And Mr. Embrack allows himself to have fun with his concepts, his prose and the dialog. I like to think that I can tell when a writer had fun writing a story because that fun can’t help but translate into the prose. And if Raymond Embrack has half as much fun writing BARRACUDA: A PETER SURF NOVELLA as I did reading it then he had a big ol’ barrel of fun indeed. Highly recommended reading.

I do gotta point out that this is not for those of you who are PC minded or who object to graphic language, violence and/or sex. But if you want to read a really good crime/P.I. story that reminded me a lot of “Sin City” on crack you can’t do better than BARRACUDA: A PETER SURF NOVELLA.


Tuesday, February 18, 2014

You Liked It Before...

‘BLACK PULP’ A PHENOMEMON, PUBLISHER ANNOUNCES SECOND VOLUME

In April 2013, Pro Se Productions, a Publisher known for balancing tales harkening back to classic Pulp Fiction with stories pushing the boundaries of modern Genre Fiction, released a title that caused a ripple in the Genre Fiction and Pulp communities.  BLACK PULP is a collection that takes the wonderful style of Pulp Fiction, established in the early 20th Century, and wraps it around fully realized black heroes and heroines, something that was not done in Pulp’s classic era.  This bestselling collection features work from a variety of authors, including bestselling authors Walter Mosley and Joe Lansdale as well as notable authors such as well-known crime author Gary Phillips, Imaro creator Charles Saunders, Mel Odom, Christopher Chambers, Gar Anthony Haywood, Ron Fortier, Kimberly Richardson, Michael Gonzales, D. Alan Lewis, Derrick Ferguson, and Tommy Hancock.



Co-editor of BLACK PULP, crime novelist Gary Phillips observed, “While revisionism is not history, as the films “Django Unchained” and “42” attest, nonetheless historical matters find their way into popular fiction. This is certainly the case with New Pulp as it handles such issues as race with a modern take, even though stories can be set in a retro context.”

Pulp fiction of the early 20th century rarely, if ever, focused on characters of color and the handful of black characters in these stories were typically portrayed stereotypically. BLACK PULP brings some of today’s best authors together with up and coming writers to craft stories of adventure, mystery, and more -- all with black characters in the forefront.



BLACK PULP offers exciting tales of derring-do from larger-than-life heroes and heroines; aviators in sky battles, lords of the jungle, pirates battling slavers and the walking dead, gadget-wielding soldiers-of-fortune saving the world to mystics fighting for justice in other worlds.

Various outlets, including the Los Angeles Review of Books and The Huffington Post, covered the release of BLACK PULP and positive reviews continue to stack up.

“BLACK PULP,” Pro Se Productions publisher and Black Pulp co-editor Tommy Hancock, "has been a phenomenon for Pro Se.  Not simply because sales have been spectacular for the resources available to us, but also because this title has brought awareness of the company to many writers, whole communities that we’re happy to be associated with.  And it’s not simply because it’s a great book with fantastic talent telling unbelievably good stories. It’s more about discussion, about bringing new stories into this classic style, individuals and entire groups getting a voice in a way they didn’t because of society in the early 20th Century.  New Pulp is what we call this type of fiction because of the chance to blend the best of the past with the sensibilities of today. You really see that with BLACK PULP and the impact it’s had.  And we want that to continue. It’s why there will be a BLACK PULP II and other similar volumes as well.”



Currently, ASIAN PULP is in development from Pro Se and will, like its predecessor, feature Pulp stories, this time with Asian protagonists.  ASIAN PULP is slated for a mid 2014 release.
BLACK PULP II is currently being developed as well. Many of the authors in the original volume are returning, as well as new names.   BLACK PULP II is scheduled for late 2014/early 2015 release.

The collection that started it all, BLACK PULP features a new essay on the nature of Pulp, both classic and modern, by award winning bestselling author Walter Mosley.



The other writers contributing original works to the anthology are: two-time Shamus award winner Gar Anthony Haywood, two time Award finalist Kimberly Richardson, Dixon Medal winner Christopher Chambers, critically acclaimed novelist Mel Odom, hip-hop chronicler Michael Gonzales, and award winning leading New Pulp writers Ron Fortier, D. Alan Lewis, Derrick Ferguson, Charles Saunders, Tommy Hancock, and Chester Himes award winner Phillips. This collection also features a classic story by Joe R. Lansdale, winner of the Edgar Allan Poe award, and multiple Bram Stoker awards.

BLACK PULP is available now from Amazon at http://tinyurl.com/d8wjtph
and via Pro Se's own store at https://www.createspace.com/4248056!

It is also available via Amazon, Barnes and Noble, and Smashwords as an Ebook, with format and design by Russ Anderson.

With a pulse pounding original cover by artist Adam Shaw and stunning cover design by Sean Ali, BLACK PULP delivers hair raising action and two fisted adventure out of both barrels!

For more information concerning BLACK PULP, BLACK PULP II, or ASIAN PULP, including interviews and review copies when available, email Morgan Minor, Director of Corporate Operations at Pro Se at directorofcorporateoperations@prose-press.com.

For more information on Pro Se Productions, go to www.prose-press.com. 

Like Pro Se on Facebook at www.facebook.com/ProSeProductions.


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