Tuesday, February 28, 2012

Derrick Ferguson Hires HUGH MONN, PRIVATE DETECTIVE


Publication Date: Oct 27 2011
ISBN/EAN13: 1466481900 / 9781466481909
Page Count: 184
Binding Type: US Trade Paper
Trim Size: 6" x 9"
Language: English
Color: Black and White
Related Categories: Fiction / Mystery & Detective / Short Stories


The hard-boiled private eye genre is one I dearly love.  The trench-coated shamus with a cigarette dangling from his lip, .45 automatic or .38 revolver in a well-worn shoulder holster, fedora pulled down low over his forehead, the faithful gum-chewing secretary and even more faithful fifth of scotch in the desk drawer…it’s a genre I never get enough of.  And since television and movies have apparently abandoned the P.I. it’s up to writers like Lee Houston, Jr. and books like HUGH MONN, PRIVATE DETECTIVE to give me my fix.

Let me explain; even though Hugh Monn lives and works on the far distant planet of Frontera interacting with many different species and using advanced technology, the tone and feel of the character and the eight stories in the book are pure 1950’s.  Lee drops in a mention here and there of some bit of sci-fi such as a character having green or purple skin or Hugh’s weapon of choice being a Nuke 653 Rechargeable but that’s just throwaways Lee lobs at us once in a while to remind us that we’re not on Earth.  But he doesn’t go into any real detail as to how this future civilization operates or how the technology works.  When the subject of detective stories crossed with science fiction comes up, I usually mention Larry Niven’s stories and novels about Gil The Arm or Roger Zelazny’s “My Name Is Legion” since in those stories, the science fiction is integral to the story.  Take out the science fiction and you wouldn’t have a story.  Not so with Lee’s Hugh Monn stories.  They could easily have been set in 1950’s Los Angeles or New York with a little rewriting.  But I digress…let’s take HUGH MONN, PRIVATE DETECTIVE for what it is, not for what it isn’t.

Hugh Monn is a Human and yes, he freely admits to his clients that his name is a gag.  But one he prefers to use as he’s got some pretty big secrets in his past he’d prefer to keep to himself.  As a detective, Hugh is capable, sharp, principled and dogged in his determination to solve his cases and get to the truth.  Hugh isn’t a pain-in-the-ass who rebels against authority and isn’t a lone wolf who doesn’t play by the rules.  Matter of fact, Hugh conducts himself as a total professional.  He doesn’t shoot when he doesn’t have to, he’s polite to everybody he meets and he co-operates with the authorities.  In particular, Lawbot 714 who he runs into in a couple of stories and who I wouldn’t mind seeing become a regular if Lee gives us more Hugh Monn cases.  He doesn’t smoke, doesn’t drink, he likes kids; he holds open the doors for old ladies.  I think you can tell where I’m going with this.  Hugh’s a fine detective but as a character I found myself wishing that once in a while he’d haul off and slug a suspect for no good reason other than he doesn’t like the fact the guy has eight eyes.  Hugh could stand to be a little rougher and not so polite.

The story “Shortages” is a good example of how Hugh Monn solves a case using his understanding of both humans and aliens and his powers of observation.  It also introduces the character of Big Louie, a Primoid.  Big Louie is the main suspect in a series of thefts being committed at a high security pier.  It’s a pretty good locked room mystery and the relationship between Hugh and Big Louie is the primary attraction in this story, as in “At What Price Gloria?”  Hugh and Big Louie have to rescue Big Louie’s wife Gloria and stop an assassination attempt.  I only wish more of the stories had been as suspenseful as this one.  In some of them, the mystery really isn’t that hard to figure out as there’s a lack of suspects so the solution comes down to either being this one or that one.  And I never got a sense of Hugh being in any real danger in any of these stories.  But Lee should be commended for trying different types of stories such as “For The Benefit of Master Tyke” which hinges more on the healing of a family than the solving of any real crime.  I picked up halfway through “Where Can I Get A Witness?” is intended as a homage to the 1944 film noir “Laura” and I enjoyed it until the very last paragraph where it felt to me as if the writer had stepped in to give his opinion of his own story and didn’t allow his character to do so.

So should you read HUGH MONN, PRIVATE DETECTIVE?  As a first book from a new writer, I’m inclined to give Lee a pat on the back.  There’s a lot to like in his writing style.  He does know how to keep a story moving but he shouldn’t shy away from rolling in the dirt and giving his characters some sharp edges.  I wouldn’t mind seeing Hugh Monn tackle some more cases but I also wouldn’t mind seeing Lee Houston, Jr. strip away the political correctness and explore the real darkness of Frontera.





Monday, February 27, 2012

Derrick Ferguson Listens To The Tales of The GRIOTS

Greetings and Salutations.  It's me again.  But for once I'm not talking about myself or my stories.  As you may recall, part of the reason I started this blog was to consolidate my online writings into one place where they would be easy to find.

And that includes the book reviews I've written.  Most of these reviews have appeared over at ALL PULP but I figured it couldn't hurt to present them here again.  For a lot of you who visit with me here, it'll be your first time reading these reviews and there's nothing I like better than to recommend good books and good writers to my friends.  So here's the first of my reviews and be on the lookout for more.



·  Paperback: 294 pages
·  Publisher: MVmedia, LLC (August 7, 2011)
·  Language: English
·  ISBN-10: 0980084288
·  ISBN-13: 978-0980084283


Before we get into the meat-n-potatoes of this review, it’s necessary that Sherman set the Wayback Machine for 1970’s so we can indulge in a brief history lesson for context: Charles R. Saunders is a writer who like most of you reading this review fell in love with the work of Robert E. Howard, the creator of Conan, King Kull and Solomon Kane.  REH is credited with being the creator of “sword and sorcery” a sub-genre of epic fantasy.  Sword and sorcery concerns itself with stories driven by action, healthy doses of sex and violence and strong supernatural/magical elements.

So in love with sword and sorcery is he that Mr. Saunders sets about writing his own stories.  And in doing so he determines to expand the genre by creating a black heroic fantasy character and set his adventures in a mythical Africa just as fabulous and dangerous as Howard’s Hyborian Age.  And with his stories of Imaro, Charles Saunders gives birth to what is now known as “sword and soul” which are fantasy stories with an African connection or featuring African characters 

I’ve been a fan of Mr. Saunders and his work ever since I was a high school student back in the 70’s and devouring heroic fiction at an appalling rate.  And as the Wayback Machine brings us back to the present we can begin this review proper with the good news that sword-and-soul is not only thriving here and now, it is giving voice to a new generation of African American fantasy writers eager to explore the genre and continue to nourish it with their talents.

GRIOTS is an anthology of sword and soul stories co-edited by Mr. Saunders and Milton J. Davis who himself has long carved out his own territory in the genre.  The fourteen stories in the book are:

“Captured Beauty” by Milton Davis.  It’s a great action story to lead off the book with.  It’s a simple plot having to do with rescuing a beautiful damsel in distress from the clutches of a vile villain.  But what made this story stand out for me were the characterizations of the protagonist Changa and his employer, the merchant Belay and their relationship.

“Awakening” by Valjeanne Jeffers.  It starts out with a little girl who has no desire to spend her adult days sitting around being ladylike and raising squalling brats while the men have all the fun being warriors. The girl, Nandi, grows up and finds out that there’s a supernatural force in her life who also thinks that yeah, her being a warrior is a pretty good idea.

“Lost Son” by Maurice Broaddus is a story I wanted to like a lot more than I do as I like Mr. Broaddus’ style of writing.  But the story just seemed to end without resolution or even much of a point.

“In The Wake of Mist” by Kirk A. Johnson is another story I didn’t get.  Although I liked the imagery the writer evokes, that’s all the impression the story made on me.  A series of wonderfully described images that really didn’t seem to go anywhere or evoke any sort of feeling in me.

“Skin Magic” by Djeli A. Clark kicks the anthology back into action mode with a story that has a healthy heap of horror.  The main character is a thief on the run who has living tattoos on his skin that are portals to a nightmarish limbo through which Cthulhuian creatures can emerge into our world.  The thief, barely able to control this horrible ability is pursued by the fearsome minions of a consortium of dark magicians who desire this power for their own purposes.  As soon as I finished this story, I wanted to read a sequel right away.

“The Demon In The Wall” by Stafford L. Battle is one of my favorite stories in this anthology.  Equal parts high adventure and comedy, it’s an entertaining near parody of the genre.  The sorceress Makhulu and her grandson, the warrior Zende are characters I’d love to see more of.  The banter between them alone is worth reading the story for.

“The Belly of The Crocodile” by Minister Faust is a tale of sibling rivalry.  And that’s all I’ll say about it because it’s not a long story and its emotional punch is best served by reading it yourself.

“Changeling” by Carole McDonnell is a story that works just the way it is but if it were twice as long I wouldn’t kick.  This is about three sisters destined to marry and become queens of their own kingdoms.  But the real prize is their native kingdom only one of them will inherit when their mother dies.  It’s got that ‘Once Upon A Time” feeling as it unfolds it’s ultimately sorrowful tale.  It’s a story of Shakespearean tragedy that has a lot to say about human nature and the ugly power of jealousy. 

“The General’s Daughter” by Anthony Nana Kwamu is a good choice to follow “Changeling” as they have something in common.  Both of them have more than their share of action but they also dig deeper into the emotional core of their characters to reveal who these people really are and why we should care about what happens to them.  I really liked the emotional resonance I felt in both these stories after I finished them.

“Sekadi’s Koan” by Geoffrey Thorne is another story I immediately wanted a sequel to as soon as I finished reading it.  I got a very strong Roger Zelazny vibe in this tale of a gifted martial artist studying her deadly art at a school located…well, I’m not sure where it’s located but I was so entertained I didn’t care.  And unlike some other stories where I got the impression that the writers themselves weren’t sure of where their stories were happening, I didn’t get that impression from Mr. Thorne.  I got the feeling he knew exactly where and when his story was taking place but is saving that for what I hope will be future stories about Sekadi.

“The Queen, The Demon and The Mercenary” is by Ronald T. Jones and like “The Demon In The Wall” is a story that seems designed for nothing but the reader to have as much fun reading it as I’m sure the writer had writing it.  The swaggering warrior Toulou sets out to rescue a suffering kingdom from the demon-wizard terrorizing the people and does it in style.  Highly recommended.

“Icewitch” by Rebecca McFarland Kyle proves that you don’t necessarily have to set a sword and soul story in an African setting.  This story takes place in a frigid realm where a dark-skinned youth struggles to find acceptance among his mother’s people who are lighter-skinned. 

The only real problem I have with Melvin Carter’s “The Leopard Walks Alone” is the ugliness of the names in the story.  I tried saying them aloud and I swear I bruised my tongue.  I realize it’s a somewhat petty quibble but naming is important in fantasy stories.  Difficult and harsh sounding names should be used sparingly. 

And The Master himself, Charles Saunders finishes up the anthology with a tale of Imaro: “The Three Faced One”  If you’ve never read an Imaro story or anything by Charles Saunders, this is an excellent introduction to both.

GRIOTS also boasts fourteen interior black and white illustrations by fourteen separate artists as well as biographical information about the writers and artists and introductory essays by the editors.  The cover by Natiq Jalil is simply wonderful to look at.

So should you read GRIOTS?  Absolutely.  True, a few of the stories didn’t turn my crank but most of them did.  If you’re a sword and sorcery fan looking for some heroic fantasy that takes place in realms other than the Medieval or ancient settings most sword-and-sorcery stories take place in then you most certainly should check this anthology out.